A big difference between the design status of Chinese jewellery and other advanced countries is that our understanding of jewellery design is limited to the design of the model. It is a limited change design of the existing products, resulting in a lot of products on the market. There is no fundamental change in the product, and there is a lack of understanding of formal design and conceptual design. Modern design is never seen as a technique plus painting, craft or art, as traditionally understood. The meaning of modern jewellery design is more extensive. It is a comprehensive and creative design activity with aesthetic aesthetics covering social aesthetic culture.
Westerners draw sketches and draw oil paintings, paying attention to volume, light and shadow, and are three-dimensional; Chinese people draw line drawing, draw Chinese painting, pay attention to spiritual connotation, pay attention to lines, and are flat. In the jewellery, Westerners pay more attention to three-dimensional thinking. The products are more three-dimensional, and the structure is surprisingly successful.
After a hundred years of modern revolution, Chinese jewelry is also absorbing some things from the West, but it is meaningful to retain those spiritual parts of Chinese tradition. As designers, they should think about how to explore and use them. The idea of ​​combining nature is applied to contemporary jewellery design.
When you look at the jewellery styles at major exhibitions, it is not difficult to find that there are design elements such as ancient Chinese beasts, Buddhas, Guanyin and other typical Chinese cultural styles, as well as pure European and American styles, as well as Chinese and Western styles. It is very difficult to point out that the difference between modern European jewelry design and oriental jewelry design is very difficult, sometimes even far-fetched. The difference between the two mainstream cultures of the East and the West is influenced by the modern information, the development of modern transportation and the opening of society. The distance is narrowing, but it still has its characteristics.
Chinese people love jade. In our traditional culture, there are many poems and songs about jade. Among these poems, jade is noble and noble, and its simple and introverted quality is also the character pursued by the Chinese, but this culture Not accepted by Westerners. In comparison, Westerners obviously prefer items that are more shiny than diamonds, gold, and gems. This difference stems from the difference between Chinese and Western cultures, as well as the differences between Chinese and Western religions, philosophy, Chinese and Western national customs, and different understandings of art. Western aesthetic thought originated in ancient Greece, and then in the Middle Ages, under the impetus of Italian humanism, Europe began the Renaissance. During the Renaissance, whether it was painting or decoration and music, it emphasized a grand, majestic and gorgeous, deliberately revealing God's omnipotence, paying attention to an external majesty and sensory stimulation.
In summary, although Chinese and Western cultures still differ in a large part of their cognition, in the same field, everyone has already understood how to find a balance point in culture to promote better development. We also have reason to believe that in the near future, the jewellery industry will have more culture infiltrated into a real cultural feast show.
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