Wang Peiyu, a famous Peking Opera actor who was loved by the audience as “Yu Boss”, was invited to participate in the 2017 Beijing Culture and Arts Fund-funded project and the “Theatrical Art Class Face to Face” by Beijing Youth Daily and the Beijing People’s Art Performance Center. The "Yu Le Peking Opera" of the Beijing Opera Culture Sharing Conference, "Talking about the Art and Drama Beijing", and the youth drama actors and the audience of the Beijing Opera.

The beautiful and beautiful Wang Peiyu is making the Beijing opera popular. Yesterday, the "Yu Boss" with idol temperament spoke on the stage of the People's Art Capital Theater, "Yu Le Peking Opera", from the sound of Huguangzhi to the rhyme of Zhongzhou, from "Mei Wu Xiang" to "Xi Li Wu Shen Xi The expression of "browsing eyebrows" is just an exemplary vocal, and it can also be turned back and forth, so that Beijing opera lovers can feel the subtlety and subtlety of this national quintessence, and continue to pour deep into the pear garden for many "Beijing Opera Xiaobai" for more than 200 years. String sound.

There is no need to hang his eyebrows and robes, and Wang Peiyu appears in the simplest way in front of everyone - plain short hair, clear glasses and a refined style. However, she is always ready to enter the show and show the singing of Beijing opera. In the previous second, she was the teacher who told everyone about the "Knowledge Point" of Peking Opera; after a second, she became the sullen Yang Silang in "Si Lang's Detective Mother"; in the previous second, she was leisurely on the empty city. Zhuge Liang; after a second, it became a lyrical Liu Shichang, let everyone feel the rhythm and temperament of Beijing Opera art.

She led everyone to a karaoke of Peking Opera, let everyone experience the "three-level rhyme" in the Yupai singing method in a few minutes, and from the narration of "The Orphan of Zhao", to experience the unique realm of ancient sounds. It is also through the comparison of the lines of the Mandarin Chinese actors in the Mandarin version to show the Qing opera of Beijing Opera.

The purpose of the whole class is that the Yu boss understands that "the people who have not yet fallen in love with Beijing opera" understand that "Beijing opera is very fun", this art form should not be boring and monotonous.

Wang Peiyu does not deny her identity as a cross-border star. She is very proud of the fact that many fans like to play Beijing opera because of her own, and she does not think that she will become a popular star and will be lax in the art of opera. On the stage of Peking Opera, she is adhering to the ancient teaching of "one minute on stage, ten years of work on the stage", and she is dedicated to her role. Under the stage, she uses her influence to spread the charm of Beijing opera.

Her public class talked about the misunderstandings of "Can't understand Peking Opera", "Beijing Opera is too slow" and "Old people will see Peking Opera", and tells the history of Peking Opera and the basic knowledge of Peking Opera. From chanting to singing, from 甩 功 髯 髯 髯 髯 髯 到 , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , The handsome Yu boss is transformed into a humorous hand, using very vivid words, such as "CP" to describe the cooperation between Mei Lanfang and Qi Rushan and other partners in Peking Opera; and the "double eleven" girls Buy and buy," the boy's reply "good" to tell the beauty of the sound, high and low.

At the time of listening to the addiction, the Chairman of the Chinese Drama Association, Cun Cunxin, still did not forget to play the role of “tea” and “add tea” to the boss of Yu. The Mr. Lan Ye, who just passed his 91st birthday, has been interested in it from time to time. The audience cheered and took a photo with a mobile phone. Mr. Blue Sky, who is highly respected, also talked with Wang Peiyu before the end of the event. Like fans, he expressed his love for Peking Opera and his appreciation for Wang Peiyu. While he was sorry to delay everyone's time, he couldn't help his curiosity and asked various questions: "A girl, why do you learn 'old life'? You learn 'old life', does the school agree? The girl is ' Is there any difference between Laosheng' and boys when they are studying?" And everyone is very grateful to Mr. Lan Yeye for asking questions, because this will extend the communication time with Yu Bo.

Mr. Blue Sky also made a request for all the audience: "I don't know when Wang Peiyu can play Beijing opera in the art during the day and play it in the evening at night?" This question won the cheers and applause of the audience, Wang Peiyu laughed. Said: "This is actually very difficult." But she promised Blue Sky teacher: "This year must be held once in the Capital Theater, during the day, at night." Blue Sky teacher said happily: "A word is fixed."

Wang Peiyu's famous sayings about the "two kinds of people" in Beijing opera are widely spread - there are only two kinds of people in the world, one is a person who likes Beijing opera, and the other is a person who doesn't know that he likes Beijing opera. After the "enlightenment" of the Yu boss, more and more people are becoming people who like Beijing opera. A lot of things, we can't ask "how far is it", but the singing and reading of Peking Opera is a kind of permanent song that can be lingering in people's minds, and it is clearer and clearer across the water.

For traditional culture

This time, "Beijing People's Art" Gan Dang supporting role

Originally, a popular guided tour lesson for the "Beijing Opera Xiaobai" attracted a lot of artists.

Previously, the origin of the Capital Theatre and the opera still stayed at the invitation of Lin Zhaohua seven years ago, "the source of seeking the way" - the national treasure artist Yan Yanling drama special, and yesterday, the Tianzi No. 1 drama temple became "Yu The boss's home. Although the elements of human art can be seen everywhere - the host of the 濮 昕 , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , Yu, the capital theater on the 6th is her home, and the art is not a mess, we are expressing respect for traditional culture."

At 10 o'clock on the evening of May 5, I just finished the "Yang Mahjong", and then I went back to the stage with a simple unloading of makeup. Together with the theater and the colleagues of the Dance Team, I walked and lit the next day's lecture. Before the "Yu Boss" prepared for the lecture, Miao Cunzhen tweeted: "I am Pei Yu's 'light replacement' today." For the party table that the dancers moved up, they kept thinking about it and decided to change it to look more comfortable. The round table, the contrast between the light area and the projection is also repeated debugging. Near 11 o'clock in the middle of the night, under the urging of everyone, the first day of the next day, I will attend the event and leave the theater. In the lecture, the pot of orchids on the stage round table was specially sent by friends, and it was also the gift he prepared for Wang Peiyu.

Yan Rui, a young artist who has starred in the main roles in "Tea House" and "Player", is an "old acquaintance" with Wang Peiyu. They participated in a common ticket contest in childhood and later took different paths. . Although one insisted and a "diversion", Yan Rui said that the experience of sitting down from the small school made him benefit a lot from the stage of the drama. A few words of confession highlighted his line of skill. Wang Peiyu, who was on the side, said that he was shocked.

In the "Tea House", he took the role of He Bian, who played Liu Mizi, in the way of the drama. He recited a passage in the Peking Opera "The Orphan of Zhao". The interaction between Peking Opera and drama is also the "Yu Le Peking Opera". The first attempt. The goodwill of "human art" has also been responded to by the Yu boss. In order to enter the capital theater, the team of Wang Peiyu specially modified the courseware, the stills in Miao Cunyi and Gong Lijun's "Yang Mahjong", and the shape of the ginger teeth in the blue sky wild TV drama. Appeared in the lecture, it attracted a lot of color.

Guo Jia

This edition of Wang Xiaoxi

Wang Peiyu: Don't just challenge the customary classics

I always say that Beijing Opera Art, like many traditional art, has come to an era where inheritance and communication are equally important. There are two kinds of people in this world, one is a person who likes Beijing opera, and the other is a person who doesn't know that he likes Beijing opera. Therefore, the thing I have to do is to let more people who don't know that they like Beijing opera have the opportunity to get close to Beijing opera and feel the beauty of Beijing opera.

"Beijing learning drama, Tianjin singing, Shanghai earning money"

Peking Opera has become a national drama, and it is not done overnight. There are mainly such large dramas that later formed the Beijing operas that they saw today: Qin Qiang, Hui Opera, Han Tun, and Kunqu Opera. Of course, in addition to these four major dramas, there are many very good local dramas that have been borrowed.

Briefly introduce the formation of Beijing Opera art. In 1790, in order to celebrate the birthday of the Emperor Qianlong, the opera groups that were jointly funded by Huizhou merchants and salt merchants came to Beijing to sing to the emperor. The famous four major Hui classes came to Beijing at this time, laying a foundation for the later Peking Opera. A very important foundation.

It will be nearly a hundred years. At that time, Peking Opera has already formed, but it is not called Peking Opera. It is also called Pi Huang. Later, there was a drama team that went to Shanghai with a lot of nice and beautiful dramas. Shanghai audience and the media feel that the team from Beijing is good, good-looking and interesting. The story is very grounded. The actor's face value is very high, but this drama has never been seen. The Shanghai media and audience will take the troupe from Beijing. The play was named Peking Opera, so Peking Opera was formed in Beijing and was named in Shanghai.

There is a saying in our troupe that people who sing Beijing opera should learn to play in Beijing because there are so many children in Beijing. After they have finished the play, they have to go to Tianjin to sing because Tianjin audience knows the play. How much do you know? We have heard that many famous artists in the Beijing opera industry have eaten well in Tianjin. This is very powerful. After singing in Tianjin, earn money in Shanghai. Therefore, it is Beijing learning opera, Tianjin singing, and Shanghai making money.

"I don't know Yu Shuyan, it's too normal."

From the relationship of the teacher, I am the fourth generation descendant of Mr. Yu Shuyan. Yu Shuyan is a very important milestone in Laoshengxing. Some people don't know him, this is too normal. Because Mr. Yu Shuyan is not particularly interested in others who know him too.

The master of Yu Shuyan must know that it is Mr. Tan Xinpei. Mr. Tan Xinpei’s reputation is certainly bigger than Mr. Yu. In the same year, there was a saying in the Beijing City School Play that "the world is not living without learning Tan." As long as you are a singer, you must be loyal to Tan, learn Tan. Therefore, at that time, many professional teachers, masters, famous teachers, and artists all wanted to worship Tanmen.

Mr. Tan is active on the stage for a particularly long time, and the number of masterpieces is particularly large. The starring role of China's first film, Dingjun Mountain, was Mr. Tan Xinpei, 1905. Therefore, everyone thinks that more than a hundred years ago, in order to have their own market, the film wanted to open the market, open the situation, and take the Beijing Opera car.

Mr. Tan Xinpei has a lot of teachers, one of whom is very famous. His name is Yu Sansheng. Who is Yu Sansheng? It is Yu Shuyan’s grandfather. In that era, the inheritance of Peking Opera mainly relied on hereditary, marriage, and family, and today is "social inheritance."

Before you had to learn to play, you had to learn from your family. It is very difficult for you to worship a master who has nothing to do with your family. Today, as long as we love Beijing opera and have a certain talent, we can learn because we now have professional opera schools and colleges.

In the past, there were three main methods used by Peking Opera actors to make a living: one was to sing a song, the other was to record a record, and the other was a believer and a disciple. Yu Shuyan has been very cautious in these three aspects, even very conservative. He did not play a lot of "bull" on the stage in his life. He is by no means an artist who wins by volume and quantity. Of course, he also has his own physical reasons for his helplessness. He left the stage very early.

Mr. Yu stayed in the world with only a very limited 18 and a half records. Past records can be heard on both sides, so 18 and half albums are 37 singers. In that era, Yu Shuyan actually recorded only 37 singers in the group of actors who made a living on the record. In that era, he felt that it was too extravagant, but he did. Therefore, he did not record for the sake of making money, but he really only wanted to record his own art.

The other is the apprentice. Mr. Yu Shuyan is very cautious in accepting the apprentice. Everyone knows the famous Mr. Li Shaochun and Mr. Yang Baozhong. He did not even accept Yang Baosen, and finally Meng Xiaodong.

Meng Xiaodong is the most devout of the many disciples of Mr. Yu Shuyan. Because Mr. Yu Shuyan is a more demanding person, he has several conditions for receiving the apprentice. For example, if you haven't taught me, you are not allowed to sing. If you haven't nodded, I will not sing.

Therefore, in the end, you can leave Meng Xiaodong and the famous big ticket friends who may know more about it, such as Mr. Zhang Bojun, because they have a lot of time and they are not professional actors. The opposite corners have no professional squeezing or threats, so Mr. Yu will pass on more dramas to them.

"The important thing is good and bad, not fast and slow."

Some people say that the rhythm of Peking Opera is so slow that I have finished eating a meal. You haven’t finished singing yet. Dear students, is there such a situation? Yes, sometimes I am too slow, but it does not matter, the important thing is good and bad, not fast and slow.

Give you a few extreme examples. First of all, a "slow" example, there is a play called "Wupenji", which is a "stunning drama" in ancient China. The protagonist named Liu Shichang, is a satin businessman, went home to visit relatives, took his own servant, and the result went halfway, and it rained heavily. The family of the family, named Zhao Da, and Zhao Da’s husband and wife had a heart-breaking night, killed Liu Shichang’s servant, and burned Liu Shichang’s body into a pot. The soul of Liu Shichang has been attached to this basin. After three years, I came to a grandfather, called Zhang Begu, and asked Zhao Da and his wife to collect debts. Zhao Da gave the pot to Zhang Begu. I didn’t expect Liu Shichang to follow it.

After being killed for so many years, someone finally rescued him. All the things he has encountered in the past three years, he wants to tell the old man, let the grandfather take him to complain. In this case, he sang a slow board, especially slow. The first sentence is "I have never said tears full of tears", about a minute or so, but everyone, there is a prelude in front, so when singing this paragraph on the stage, the first sentence we counted, sang for three minutes.

Give everyone an extreme "fast" example. This play called "Drumming Cao Cao", Yu Heng argued with Cao Cao because of a word, Cao Cao let him drum down the gallery. An intellectual was treated with such unfair treatment. He was very angry, so he left the prime minister's house and sang a quick alley along the way. Ten miles, sang for 20 seconds. Allegro generally expresses a lot of anger, excitement, or some very prominent emotions, using Allegro.

There is also a situation, such as "empty city plan", Zhuge Liang on the city tower, in order to express himself is particularly calm, so he sang with Xipi. When he heard this rhythm, if I was Sima Yi, I also felt that he had a well-thought-out, absolutely there was an ambush in the city. Therefore, he used the "two six" plate to appear stable and content.

"Good, good-looking, interesting, accepted by the audience, it is reasonable"

I will share with you a personal artistic conception. There are many water words in the aria of Peking Opera. For example, "The woman does not have to be too strong," for example, "a round of moonlight before the bed" and so on. Many literary writers or playwrights will be very impressed with the many water words of Beijing Opera. They think that this light is thinking of rhyming and does not take into account the beauty of the text. However, there is no way for this. Because of the beautiful things, if we don’t follow the routines that are the easiest to perform, I’m afraid it’s not so interesting to sing and read them. Therefore, this is a routine, called "stylization" in the performance of Peking Opera.

Let's share an interesting play with you. This play is called "Zhudian Village". There is one bright spot in this play, that is, three "哗啦啦". As early as more than one hundred years ago, some people earlier than Yu Shuyan suggested that Mr. Qi Rushan raised this question with Mr. Tan Xinpei. He can't make a fuss, describing why drumming all the old actors are singing "哗啦啦", obviously "咚咚咚". As a result, Mr. Tan Xinpei did not give a clear answer.

We hope to tell you through such a thing, we must respect the tradition, do not easily and casually challenge the customary classics, because it is already a classic, even if it is unreasonable, but it is nice, good-looking, interesting, accepted by the audience, it It is reasonable. This is what I want to say at the end.

Oral / Wang Peiyu finishing / reporter Guo Jia

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